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The Man Who Was Thursday: A...

The Man Who Was Thursday: A Nightmare

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The Man Who Was Thursday: A Nightmare is G.K. Chesterton's surreal masterpiece—a philosophical thriller disguised as a detective story. The novel follows Gabriel Syme, a poet-turned-detective who infiltrates a secret council of anarchists, only to discover that nothing in this shadowy world is what it seems. Each member of the council carries the name of a day of the week, and all of them are masks behind masks, shifting identities, and symbols of a deeper, more uncanny truth. As Syme chases the elusive figure known as Sunday, the story dissolves into a dreamlike pursuit filled with paradoxes, theatrical confrontations, and moments of haunting beauty. Chesterton explores themes of free will, fear, disguise, divine mystery, and the strange borders between comedy and terror. Written in 1908, the novel feels eerily modern: it examines the anxiety of political chaos, the fragility of identity, and the human desire for meaning in an absurd universe. Part satire, part allegory, part nightmare, this is a book that cracks open the world and asks the reader to look directly into its shimmering uncertainty.

The Man Who Was Thursday: A Nightmare is G.K. Chesterton's surreal masterpiece—a philosophical thriller disguised as a detective story. The novel follows Gabriel Syme, a poet-turned-detective who infiltrates a secret council of anarchists, only to discover that nothing in this shadowy world is what it seems. Each member of the council carries the name of a day of the week, and all of them are masks behind masks, shifting identities, and symbols of a deeper, more uncanny truth. As Syme chases the elusive figure known as Sunday, the story dissolves into a dreamlike pursuit filled with paradoxes, theatrical confrontations, and moments of haunting beauty. Chesterton explores themes of free will, fear, disguise, divine mystery, and the strange borders between comedy and terror. Written in 1908, the novel feels eerily modern: it examines the anxiety of political chaos, the fragility of identity, and the human desire for meaning in an absurd universe. Part satire, part allegory, part nightmare, this is a book that cracks open the world and asks the reader to look directly into its shimmering uncertainty.
  • Isbn
    7502319079300
  • Peso
    980.3 KB
  • Número de páginas
    100
  • Idioma
    Inglés
  • Formato
    EPUB
  • Protección
    DRM
  • Referencia
    BKW176865

G.k. Chesterton

Autor

Gilbert Keith Chesterton (Londres, 1874 - Beaconsfield, Buckinghamshire, 1936). Entre sus obras más conocidas se cuentan El hombre que fue Jueves (1908), su Autobiografía (1936; Acantilado, 2003), una Breve historia de Inglaterra (1917; Acantilado, 2005), los en­sayos reunidos en Herejes (1905; Acan­tilado, 2007), recopilados también en la antología Correr tras el propio sombrero (Acantilado, 2005), la colección de relatos El hombre que sabía demasiado (1922; Acantilado, 2007), Lo que está mal en el mundo (1910; Acantilado, 2008), Los relatos del padre Brown (Acantilado, 2009) y Cómo escribir relatos policíacos (Acantilado, 2011).